Premium service
Camera moves instead of sections. Composed imagery instead of stock photos. For brands whose story carries more than a list of services — and who want it read to the end.
A conventional page competes for attention that is already spoken for: the visitor scrolls, hunts for the price, leaves. A directed page inverts that. Scrolling itself becomes movement through a story — every turn of the wheel advances a frame, like a film whose pace the viewer sets. This is not an effect but a different way to tell a brand: those who scroll stay, those who stay understand, and those who understand get in touch.
Delivered
Platform for Thai entrepreneurs building businesses in Europe
Six chapters, directed end to end: from an empty shop floor at dawn to the first guest. The visitor sets the pace, the frame sequence runs smoothly with the scroll, and text beats land where the image can carry them. Shipped in three languages and built on the same technical foundation as every other project here: prerendered, measurably fast, operable without a mouse.
Built for our partner agency — a company affiliated with BTECH SOLUTIONS, and therefore not an independent client project. We say so rather than leave it out. The header image on this page is a still from that film.
Scope
The dramatic structure comes before the first frame: which scenes, in what order, at what rhythm. High points get room; so do the pauses.
Every scene is built for your brand — light, colour, material and the eye’s path stay consistent across the whole film. No stock photos, nothing accidental.
Frame sequence, text entries and fades are laid onto the scroll path. The visitor sets the pace and the direction still holds.
Prerendered for search engines, measurably fast, operable without a mouse, and considerate of people who reduce motion.
Process
A conversation about what your brand can genuinely tell. Not every company has a film in it — you hear that here, not after the invoice.
Scene order, rhythm and key lines are put in writing and signed off by you before any imagery is made.
Scenes are built and presented to you as a contact sheet. Anything that does not carry is discarded and remade, not talked up afterwards.
Frames, copy and transitions are brought together, checked on every device and shipped. Time for refinement is included afterwards.
Tiers
The scope depends on the number of scenes and on whether the film sits inside an existing site or becomes the site itself. What you see here is the duration — I quote the price once the script has fixed the scope.
One directed sequence inside your existing website — usually the home page.
on request 3–4 weeks
A complete narrative page: several chapters, directed end to end.
on request 6–8 weeks
Several pieces across channels — a launch, a trade fair, a market entry.
on request from 12 weeks
There is deliberately no figure here: the effort depends on the script, and a range quoted before the first conversation would be guessed rather than calculated. The binding fixed price is set once the script exists — and does not move afterwards. It is a final price: under § 19 of the German VAT Act (small-business rule) no VAT is charged and nothing is added on top. This is not an entry-level service — composed frames instead of stock material are a five-figure investment.
Questions
No. The frame sequence is prepared and loaded while the visitor reads — there is no video player and no buffering. The page is prerendered like every other project here and measured for load time before it ships.
Anyone who has set “reduce motion” in their operating system gets the story delivered calmly — same content, without the movement. That is part of every build, not an extra.
Yes. The frame sequence is composed for portrait rather than merely cropped — otherwise the direction falls apart on exactly the device most visitors arrive on.
A single scene usually takes four to six weeks, a full Signature Story eight to twelve. Most of that is the script, not the build.
Yes. A scene can grow into a full story — the visual language stays and chapters are added. That is why the dramatic structure is laid out from the start with room to extend.
One conversation is enough to find out — free and without obligation. If I do not see one, I will say so.
Request a first conversation